Wednesday, October 04, 2006

the ordeal of arrival

We made it.
I don't quite understand the "no liquids" on an airplane rule. Couldn't they give us lip balm or lotion on the plane? Or at least offer us more water? It was tortuous going so many hours without. Sama and I were so dehydrated In Frankfort we had to refuel with a couple Red Bulls and were using the testers in the Duty Free Stores. Sherry and Wendy met us at the gate and we headed to Amman.


Sama's father, Dr. Alshaibi is waiting for us with Rozalinda. She's having a slight problem with her visa. As a Romanian, she has to apply for a visa every place she travels. As American citizens (Wendy has a greencard) we just pay the fee and don't have a problem. I can't tell if she's tired or frazzled, but someone in charge has taken her passport. One of Dr. Alshaibi's students happens to work there and is taking care of it.

Rozalinda gets her passport back and we head to the baggage claim. Dr. Alshaibi's wife, Intesar, is waiting with the two boys and friends. She is a tall, beautiful woman wearing a nice suit and heels. Her home is in Iraq, and these past few months have been very difficult for her. She is nothing but gracious to us.

Bags start to emerge, all except for mine. My bag along with all of my installation equipment and gifts was lost by United. Either the Germans or the Americans never put it on the plane. Royal Jordanian (in the Amman airport) cut me a check for $70.00(around 50 dinars. 301.10 shekels) on the spot for my "inconvenience." In the U.S. if you're lucky, they give you toothpaste. I have a feeling I'll be winging it with one pair of pants for 2 weeks.

Walking outside to the car and my feet feel different. Beneath them is a smooth white marble, not concrete.....marble.

We pile into two cars, pick up some fresh, just-fried falafel, then head home to get some sleep before we try to cross the bridge.
.

Tuesday, October 03, 2006

Crossing the Bridge--Part 1





Today's the day we attempt to get into the West Bank. We have a good shot, but nothing's guaranteed since the Israeli government has been turning away many foreigners who work for NGO's or who may be affiliated with the International Solidarity Movement. Therefore we make a conscious effort to not look like hippies. I borrow a nice shirt from Sherry and make-up from Sama. Intesar lets me borrow her suitcase. We are armed with official invitations from a church in Jerusalem and have been coached on what to and what not to say.


Intesar has prepared an amazing breakfast of cheese, fruit (most of the fruit in the Middle East is grown in Jordan, delicious pears and peaches, almost as good as Chilton County peaches in Alabama ), hummus, knafeh (which I developed an addiction to by the end of this trip, along with turkish coffee), and zaatar (a blend of spices you eat by rolling bread with olive oil around in it). Here, brewed coffee isn't as popular as it is in America. Nescafe is the staple. Nescafe grew on me. I like the way the word "Nescafe" sounds. However next time I go, I will bring my own Nescafe. I think it takes 4 cups to equal the caffeine in 1 cup of regular coffee. However turkish coffee is thick, rich, and served in small cups like expresso, only sweeter. I drank it every chance I got.

















Our driver is Bassam. He is a family friend of Dr. Alshaibi. He is borrowing his brother's van and we squeeze into the seat. It is very hot. The mountains around us are alabaster white. We're in the Jordan Valley.




There is a perplexing taxi operation to and from the bridge. Without Bassam we'd have to take a taxi to the first Jordan checkpoint, and then pay for another with special clearance. Later I learn this is how it works on the other side of The Bridge as well. Since Bassam is our private driver, we get really close to the building that everyone must go through who wants to cross The Bridge. Its an easy walk although our big portfolios of work make it a little clumsy.



Our luggage is scanned and we go to passport control to get our exit visas. Strangly enough, the tiny building is empty. I've heard horror stories of the chaos that unfolds inside. Certainly it must be moreso on the other side. Including ourselves there are only 8 people waiting for the bus.


We sit outside in the heat and touch up our lipgloss while waiting for the bus to take us across. We are 5 non-frivolous women traveling together, but it seems that we do this often......putting on a little lipgloss. Maybe it provides one of these little creature comforts or a small sense of normalcy. But I also know we don't put this much effort into it at home. Maybe I'm seeing too much into it, but its one of those small quirks that entertains me. I have many many photos to prove it.

The bus is huge and air-conditioned. Its about a 10 minute drive through no-man's land to the other side. Then the bus stops. We wait...wait some more....I thank God for the air-conditioning...and then we wait some more.

no man's land

A well-dressed American man gets very flustered and paces back and forth on the bus. "So this is what the Israelis do to deter foreigners from touring the West Bank, right?" He is so angry. We stay quiet. Does he not know this is just a minor bump compared to what could happen on the other side of The Bridge? I ponder where he and his wife are travelling. My vote is on a spa at The Dead Sea. Which he can go to because he has an American passport.

Red-faced he speaks to the driver. The driver shrugs his soldiers, then points ahead. About 500 yards away there is a bus like ours on the side of the road. All of the passengers are out on the side of the road. Its a typical bomb check, but evidently it has been going on for over an hour. So so thankful for air-conditioning.

Finally the bus moves ahead. And it is our turn. We are a bus of 8 foreigners, compared to the one before of over 50 Palestinians. The young Israeli soldiers with their guns board and ask us to get off. The driver shrugs his soldiers again. They check our passports and smile. I question whether to smile back. I question this a lot on this trip. Every soldier I encounter is 19 or 20 years old. Often flirtatious. And just like the Palestinian young men we meet, they all dream of going to America. I think the one time it hurt us was our first attempt to get to the Dead Sea. But that will come later. We get back on and drive to the Israel Customs building.

Monday, October 02, 2006

Over the Bridge--part 2

Before we left in the morning, we were on the phone with Zuzu (which means Joseph). He and a friend were going to pick us up in Jericho after our travel across The Bridge and take us to his home in Ramallah. He had gone to Bethlehem to get something done to his papers. The Israelis detained him. He was probably going to have to stay overnight and Suad, his wife was on her way down from Ramallah to try to help him. But he probably would not be able to pick us up to say the least. If we get through, we will go the long way...mini-bus to Jerusalem....then mini-bus to Al Qalandia checkpoint. Then a cab to The Office, where Zuzu and his assistant, Mohammed work. The taxi industry in Israel and Palestine will make a lot of money from us on this trip.

There is a crowd of people pushed up against a barricaded area. Most of them are Palestinians. As foreigners, they take our passports right away. The Arab men who have orange vests on our putting luggage onto carts to go through inspection. At first it is strange to me that these men are working for the Israeli government, but then I realize its work....and its hard for Palestinian men to find work anywhere these days.

A young woman is standing high on some sort of kiosk behind the barricade. The passports are carried over to her and she begins to scrutinize them while chatting with her friend. She too is very young. 19 or 20 years old, and this is a part of her required service. Most of those doing their service at the Allenby Bridge are women. At the checkpoints, there are no young women, only young men....with semi-automatic weapons.

There is alteration between giggling hysterics with her friend and deadpan seriousness when she calls our names to match them with our faces. She gets to Sama's and whispers something to the young woman standing next to her. Sama is one of my dearest friends from grad. school. She is now Assistant Professor of Fine Art at the University of Arizona. She has an American Passport. However, her passport says she was born in Iraq. (her mother is Palestinian and her father is Iraqi). When I was far away from my own family in Denver, her mother, Muha, would invite me over to her house for many holidays such as Thanksgiving and Easter. She designs and makes the most beautiful clothes and delicious dolmas. Dr. Alshaibi, like his daughter, is also a professor and took care of us in Amman both going in and out. Sama has made the journey in and out of Israel a few times, and I am familiar with her stories of getting pulled out of line with varying degrees of harassment. I feel this sisterly need to protect her, which is so silly of me and probably irritating to her. I am naive to think I can protect her, and am sure she doesn't need me to protect her. She has prepared us for all of the things that might happen to her in trying to get over The Bridge. We even had to make a Plan B for if she was denied entry. For some weird reason I don't want to let her out of my eyesight. Ok...I probably can't do anything for her, but there's this big part of me that wants to see what is and what will happen. Maybe I am an American addicted to spectacle. Or maybe I just really want to see and attempt to understand.

We work hard to negotiate keeping our bags with our equipment on us. Sama hands me her bulky, complex bag with the 35mm and new 3-chip video camera. "It will be easier if you carry this in, because they're going to question me and want to search it." Of course it will be easier for me to carry it. I am a tall, fair American with a fresh passport with only a Jordan stamp. My parents are also educators, cook great holiday meals, and always host my friends with the same generosity. My father was born in Tennessee and my mother was born in Kansas.

When our names are read and passports handed back, we move to the left, bypassing the crowd of people still trying to get their bags taken. I am hot on Sama's heels. She goes through the initial passport check first and is immediately pulled aside by another young woman with a walkie talkie. She is IDF. Sama is questioned about what we're doing there and why would we go through Amman instead of Tel Aviv. We've rehearsed this speech, but I am glad that only one of us has to give it. We use the summer war in Lebanon to our favor instead of Rozalinda having problems with her visa. Sama says the IDF agent was really nice to her.

I'm pulled to the side having the camera bag searched by another young women. I stand as straight and tall as I can. A new young women is fumbling through the equipment. She can't get it all back in and blushes. She seems afraid of damaging something. She says I can put it back in if I want. I sling the heavy blue bag back on my shoulder.

I'm confused on where to go next. This whole place seems so disorganized and disorienting. The next big room is for getting the Israel visa. We're prepared to be questioned by another young woman, but we present our passports as a group (2 white Americans and 1 white Brit really help 1 Romanian and 1 Iraqi/Palestinian/American get through). We also have the letters from Jerusalem. We are through and stamped.

But there is one more final passport check. These lines are looooong. To the right is a mass of people who have been pulled to have their bags searched. The metal bars force us to go in single file. Wendy is up front and I am in the back. The young woman up front seems irritated.
I've taken great interest in watching these young women move around. They have so much power over everyone trying to get through. But they're just teenagers. While waiting in the last line, I notice how the girls have made their uniforms trendy, with tight low-waisted pants and big belts. One walks around and talks on her walkie-talkie while listening to her ipod with one headphone in and one headphone hanging out. My photography students do this in class sometimes. It always irritates me. Another girl chats on her cell-phone while managing the chaotic mass of people in the back right. Another girl keeps walking by one of the few men working here. She giggles and flips her hair, he flirts back. Then he turns around and yells at someone in the crowd....then turns back around and keeps flirting with her. This is some weird kind of Twilight Zone stuck between the OC and One Tree Hill and any movie about persecution or people trying to flee their country, except these people are trying to get back into theirs. I know its such a strong (and maybe wrong) comparison...to think of persecuted people in places such as Rwanda, South Africa, or even during the Holocaust....but I can't help it. There's these lines and lines of desperate, marked people crying.....and then this flood of teenage hormones controlling it all. I'm getting overwhelmed and wide-eyed, standing in this line, surrounded by tense frustration and giggling flirtation.

We present our passports one-by-one. The young, exasperated, sighing woman looks through them and lets us go. She looks at Sama's and with a big display of rude sarcasm says, "sorry, you must get searched." So the 4 of us are technically in Israel now, and Sama is in the back with the crazed crowd still in No-Man's Land. Neither in Israel, Palestine, or Jordan, just still in Customs. We need to weed through the stacks and stacks of suitcases to find ours, but I still don't want to take my eyes off of Sama. I want to see her and what happens, even though there's nothing I can do. My presence won't change anything or hurry it along. I'm powerless. Wendy stands by the metal railing separating geographic Israel from No-Man's Land, us from Sama, who has disappeared into the crowd of people in the back. The rest of us try to find our things.

Suitcases are everywhere. Its a room the size of a gymnasium full of suitcases. It takes 20 minutes to find everything including our precious art portfolios. Lucky we remembered to tie the same green ribbons on all of them. I'm surprised at how spread out they are.

I go stand by Wendy. We see Sama's head bobbing up. She looks very calm. Her name is called and she stands in front of the table waiting for her bag to be searched. She and another young woman (who's job is to search her things) stand there for 20 more minutes, face to face. Sama is still calm and stoic, even though she is being made to wait an unneccessary amount of time with people pressing at her back. Finally the young woman begins unzipping. It is done in 3 minutes. Sama exits, and is now on the other side of the metal rail in Israel/Palestine with us.

Sunday, October 01, 2006

Getting to Ramallah



Out of the Customs Building, we negotiate a mini-bus to Jerusalem. There we will negotiate a mini-bus to the Al Qalandia Checkpoint. There we will then figure out how to get to The Office in Ramallah. Since Zuzu is now definitely stuck in Bethlehem over the night, we are constantly on the phone with Mohammed.

We pass Jericho and see the Dead Sea far far away.



The bus center in Jerusalem is right next to the famous Jerusalem Hotel. We decide we need to take a coffee break, celebrate that we made it, and regroup for a bit before we head to Qalandia. We can't take too long because since its Rosh Hashanah, the checkpoint will close soon after 5pm.

The Jerualem guy says, "Ohhh Americans. Don't worry. We love Americans. We just don't like your President."
Glad we are keeping good company, that makes six of us.

We thought we were in a mini-bus with permission to go through the checkpoint, but instead the bus pulls over. We are unsure if this is an operation that will require us to pay someone else, but we take our gear and go. It takes tricky maneuvering to get our stuff and the artwork through the heavy turnstiles. But we and the art survive it. No one checks our passports going in. However there is a long line of people trying to get out.

We regroup yet again and try to figure the best way to get to The Office. Mohammed is waiting there with Haneen, who is another journalist and editor. While we negotiate with a van, the ugly grey wall is everywhere in the distance. It encloses the entire city of Ramallah, like a prison. Driving and playing in Ramallah, you don't feel it. But when you get to the borders you see it winding like a snake. Its even more obvious in Bethlehem. I'm confused as to whether its purpose is to keep Palestinians out of places or to hold them in. But its there.

Sunday, July 23, 2006

Miss Universe and the Middle East



Tonight...(ding! ding!) Miss Israel and Miss Lebanon will face off in the Miss Universe Pageant on NBC.




Read more on The Journal

Saturday, July 15, 2006

note from the US gov't

Regarding getting US citizens out of Lebanon....

"We will help you get out, but you are responsible for reimbursing us for expenses."

Wednesday, April 19, 2006

Crushin' at TICTOC --Manifest Urban Arts Festival



Lauren and I found out yesterday that "Crush" was accepted into TICTOC.


More on TICTOC:






TICTOC is an ongoing performance art and installation project created by [C]Spaces. Focused on presenting international, national and local artists working in the live arts, TICTOC provides ongoing performance and workshop opportunities to Columbia College Chicago students interested in exploring this discipline.

The provocative, insightful and whimsical performance works fill the streets and buildings of Columbia’s South Loop campus.
This year’s TICTOC artists challenge our notions of contemporary rituals, vice, stamina; asks what the ideal man, relationship or race may be; makes political paper portraits, shreds, threads and strings up the patterns of our day. Enter the crush confessional, be seated at the electrified picnic, belly up to the edible paper bar, listen to erotic stories and join the unusual knitting network. TICTOC artists fill the streets and buildings of Columbia College Chicago. Join in anywhere and everywhere!

http://manifest.colum.edu


This will take place May 12th all over the Columbia College parts of the South Loop as a part of the school's Manifest Urban Arts Festival. If in Chi-town, you should come down. There are way too many events to see, but at 7pm there is a Mardi Gras-style parade called Spectacle Fortuna which involves big puppets and is completely based on street spectacle. We end up in Grant Park listening to Buddy Guy.

Monday, April 03, 2006

Fortune Telling




Can someone read my palm for me?

Wednesday, March 08, 2006

Gordon Parks (1912-2006)


“Nothing came easy...I was just born with a need to explore every tool shop of my mind, and with long searching and hard work. I became devoted to my restlessness.”

--Gordon Parks








Mrs. Ella Watson

(also referred to as American Gothic)

Thursday, March 02, 2006

Crushin' in the Soundbooth




Last Saturday Lauren and I began working on our "Crush" installation. Audio comes first...because stories come first. We had a parade of women coming in and out of the recording booth telling stories of unrequited love. We actually have some men scheduled for the upcoming weeks. I read a great article in the Trib about crushes-gone-wild with the tween generation.

Friday, February 24, 2006

Jackson(ville)




Yes. The Sufjan Stevens song sounds like Jacksonville.
I went to do a show and lecture at MacMurray College and to see my long-lost-lovely-rediscovered friend, Khara Koffel. She's one of those friends who you see years later and you carry-on like its only been a few weeks.



Yes, J'Ville has it all...art galleries and fantastic artists, fun nursing-professors, history just as spooky as the South, wonderful old trees, a 2-screen theater playing Brokeback Mountain and Munich, and best of all...Khara Koffel and Marc Benner!!

Wednesday, February 15, 2006

Sama and Sherry return to Palestine



My wondeful friends, and fellow 6+'ers returned to Palestine this week. They are installing an exhibition and meeting artists for us to collaborate with in late September. The nuns in Bethlehem prepared them coffee, cheese, and falafel for breakfast this morning. I had coffee and oatmeal. Sama made it through security at the airport in record time, 2 hours. For Sherry it was only a few minutes.

They are currently staying in Bethlehem with our friends at The International Center.

Sama keeps a travel-log (with photos!) here:

  • http://halfpalestinian.blogspot.com


  • Excerpts from Sherry's a "good morning" email:
    "People at the International Center are very kind, a bit frazzled - too much work and too much constant confrontation with the oppression of Palestine. They are trying to interject this in the world and help the Palestinians through cultural interaction, education.

    I have not felt fear here among the Palestinians, the taxi driver, the people in the falafel stands, the shops are kind and good humored. After dinner of day 2 Sama and I stopped to buy a bottle of wine and chocalate in a small shop. I commented on the good wines available. He said "yes, we have many things here in our prison."

    "Cultural interaction"....hmmmmm....that is good. Even we could use some of that over here....

    Friday, February 10, 2006

    We bring our own strawberries to Dairy Queen


    Grandma Mary is on the cover of Ellipses with an interview with Stacy Elaine tucked inside. Other contributers: Brian Evenson, Daniel Wallace, Laird Hunt, Pirooz Kalayeh, and Tara Blaine.
    For more info: http://www.waywardcouch.com

    Our Eyebrows

    She comes at me with a Sharpie.


    "Do you think this will work on my eyebrows? Will you do them for me? Here..."

    "No Grandma. You don't want to use that. What happened to all those eyebrow pencils we bought you last time?"

    "Hmmmmm....I don't think I have any make-up"

    (Grandpa from the living room) "They're all over the house...who knows where they are."

    I put the Sharpie back on the desk and start rummaging through her dresser. I come across a bag of cosmetics.

    "See Grandma...you still have make-up. Do you want to get ready?"

    "Oh yes...just my eyebrows."

    There are two eyebrow pencils inside. They are light brown. I've never used an eyebrow pencil. Grandma Mary has all her life. I remember my mother saying Grandma did her eyebrows everyday.


    My mother used it on me for Halloween and and an occasional dance recital. I was a Topsy Turvy Flower. I wore a lime green swim-suit type outfit and a matching flower made out of netting on my head. I am awkwardly posed forever in this picture against a rainbow background with one hand on my shoulder and the other stiffly jutting out of my thigh. Several years later I think I'm mimicking a teapot. But my legs are situated perfectly, one slightly craned behind the other. Poise training from Miss Ginny. A lime-green explosion of fabric coming out of my head.


    On my mother's side, their eyebrows are thin and manageable. Mine are full and unruly arched. Without tweezers I know they would grow together. But there are hints of "the arch" in their eyebrows. I would like to think that came from them...from someone at least. A feeling of shame creeps in over the fact that I don't even know how to use the pencil. If Grandma Mary truly made the effort to do them daily, while running after five kids, at least I could try every once in awhile.

    "I tell you what Grandma, you do my eyebrows and I'll do yours."

    She takes my face in her hands and studies it.

    "Yes....they could use it here....and here. A little thin." She points to the inside parts...where they begin by my nose.

    Intuitively I grab my camera. If something important is happening, it ends up in my left hand and I participate with my right. Its an odd habit.

    She starts coloring them in. I hold the camera away from me, trying to get us both...but it never fires off.

    Her turn. I take the pencil in my right hand, camera in the left and start coloring in the thin parts. I remind myself this is just like doing a drawing. A little bit at a time, snap.....light, conservative strokes....snap.
    I don't want them to look fake.








    Wednesday, February 08, 2006

    "Click Art" at Woman Made Gallery



    The show will be up till February 23rd. Other Columbia College folk besides myself include: Whitney Bradshaw (juror), Mary Farmilant, Colleen Plumb, and Christine DiThomas.